Tony Monaco Live at the Orbit Room

Chicken Coup Records
DCD 7012

$15.00 (with S&H inside US) - $20.00 (with S&H outside US)


I always try to come out with something different and refreshing on every recording as its always about the music for me. This one is a knock out! This trio has an energy of its own that makes it jamb out like crazy. Radio has been asking me for a stretch out record and this is it! I hope you enjoy it!

Tony Monaco, Organ
Ted Quinlan, Guitar
Vito Rezza, Drums

1.S'bout Time
2. Ode To Billie Joe (Monaco)
3. I'll Close My Eyes
4. Someday My Prince Will Come
5. Slow Down Sagg
6. S'bout Time (Edited For Radio)
7. Ode To Billie Joe (Edited For Radio)

Organist Tony Monaco is Johannes Brahms to Jimmy Smith's Ludwig van Beethoven. He is the keeper of the flame, or, more appropriately, the bar keep of the chicken shack, and the ambassador of the chitlin' circuit.
Over the past decade, Monaco has moved to the front of the class in organ jazz, releasing a string of critically acclaimed recordings. Monaco adds two more, one as leader and one as side man to guitarist Don Hales.

Tony Monaco's Live At The Orbit Room:
Monaco headed north from his Midwestern home to Toronto to record a live disc with a Toronto-based rhythm section. Burned on June 22, 2007 at the Orbit Room in Toronto's Little Italy, Live at the Orbit Room: The Ultimate Jam is a recital of five standards with two additional radio edits. Monaco's local trio consists of Orbit Room regular Ted Quinlan, guitar and Vito Rezza, drums. This trio has a bit of a different temperament compared to Monaco's home trio in that they take the Orbit Room seriously, serving up an airy, centrifugal groove over which Monaco can establish his own orbit.
Monaco demonstrates his affinity for all things Jimmy Smith by serving up five lengthy performances, the shortest of which is "Someday My Prince Will Come," clocking in at a mere 9:01 minutes. The disc starts with Don Patterson's "S'bout Time." Monaco sets the groove with his feet, propelling the piece into full momentum, spurned on by Quinlan's taut lead lines. This is followed by a searing "Ode to Billie Joe," showcasing Ted Quinlan on fire. These first songs were edited down for radio airplay and are included on this disc.
The Kaye/Reid ballad standard "I'll Close My Eyes" dovetails into Frank Churchill's "Someday My Prince Will Come." This ballad pair allows Monaco to display his tonal colors with ample splendor. With characteristic flair, Monaco closes the set with Jimmy Smith's "Slow Down Sagg" from Jimmy Smith's Root Down (Verve, 1972). This is later Smith, deserving of attention and Monaco provides it creatively. Tony Monaco has firmly established himself as the traditional jazz organist of note, keeping the light of "The Preacher" alive.

Don Hales's Unified String Theory:
Guitarist Don Hales is one of those jazz musicians almost too good to be true, one who has had a lengthy local career who finally bobs to the surface with a head-turning release. The disc is Unified String Theory and Tony Monaco's presence is no accident. Hales grew up in a Toledo neighborhood where he was exposed to a wide variety of ethnic and regional music. He taught himself to play guitar, was tutored by Rusty Bryant and Bobby Shaw. Hales went on to tour with the great Eddie Harris and Bill Doggett before returning home to Columbus to work in the Monaco family Italian Restaurant.
Talk about a well kept secret...Don Hales not only has chops, he is quite the funk master in composing. Six of the eight tunes presented are Hales originals. The two standards are "Feelings" and "Motivation," both dispatched with a Horace Silver soul-jazz sensibility. Hales' compositions all stretch the definition of the typical organ-guitar-tenor combo. Speaking of tenor, Kris Keith's tenor saxophone and flute fit into this quintet like a hand in a glove, a finely crafted glove. Check out "Breath of the Blues" and "Dance of the Zodiac."
The only other organ trio release that can compare with Unified String Theory is Bryan Beninghove's Organ Trio (Self published, 2008). Both recordings are fresh and heady as a precocious Beaujolais nouveau with twice the attitude and as much more the musicianship. Let's hope Hales continues to have a grand coming out. - by Michael Bailey